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Our Invisible Empire

by Eric Chial

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1.
Virtuoso 03:19
dodging bullets aimed at my own feet and what of it feeling foolish like how did i get to be such a good shot oh there's nothing to it once you get your back into it if i played the telephone i think it's safe to say by now i'd be a virtuoso so what are we doing what kind of fat are we chewing on pacing grooves in the floor i'm certain that we've spoken before buddy could you spare us a show you lost the tape so you don't know we had to rock and roll soon found out it takes a lot to get to the show made a list of the things that i wanted but ooh, never really got started wrote it down in invisible ink the past fades memory shrinks crossed out crumpled up and discarded now it's my elegant garbage when ambition and aspiration become asphyxiation dodging bullets aimed at my own feet and what of it feeling foolish like how did i get to be such a good shot oh there's nothing to it once you get your back into it if i played the telephone i think it's safe to say by now i'd be a virtuoso
2.
unwilling to believe her unable to deceive her he lip synched his desire in a pantomime of fire one thing she didn't notice an edifice of punk piss he passed it off as style because he loved to see her cry baby wipe that tear from your face and I'll try to wipe the sneer off mine oh and I'll stay younger than you by acting like a child yeah I got a tip for you you can use it or you can lose ya make it crunchy as you can you get to talk to the record man now all the byrds have flown it's just an everlasting drone but you could get fat on the scraps if ya make it sound like crap could someone here please tell me the difference between a man with a mission and a headless chicken only way I ever learned much really was when you turned me around and slapped me silly so tired of the modern life a tv screen for a wife they call him mister hustle bustle cos' he's always pullin' on his monkey muscle if I say I was born with it it's still your right to be bored a bit can't have my rape and eat it too just like jesus used to do baby wipe that tear from your face and I'll try to wipe the sneer off mine oh and I'll stay younger than you by acting like a child a child a child
3.
when you walk down the street alone well don't look at anybody wrong pulled back in an alleyway yeah beat down to the rhythm of hate something 'bout the look in your eye or the shape of your mouth anything they can find to despise they will , they hit the trigger they do the brutalize a dim light goes off they see you don't belong strap on their boots and dance to dawn jackboot jackboot jackboot a wrong turn on the way back home gets you a ticket to a horror show like a beast the dogs brought to bay well did you say your prayers today old Berlin 1938 a billy club hammerhead L.A. every scapegoat looks the same after the bully boys have had their way a dim light goes off they see you don't belong strap on their boots and goose-step till dawn jackboot jackboot jackboot
4.
when you come on board we're going to keep your plate full you're gonna be grateful and i can't emphasize too much you got to keep to cliches and you won't get touched although you might get bored when we take you down and put you in storage and when we lock the door we'll give you all that you want so you won't have to ask for more he's running faster because he's got the keys to disaster never gonna stop the bastard it's all systems gone but if you really want i guess we'll take you along please leave your tongue at home the last time it got loose we got three shots to the dome a little trip around the nation my way met with some hesitation the wide world doesn't love you enough unless it knows just what you're thinking of he's running faster with nonsense and blather yeah he's got the keys to disaster when you come on board we're going to keep your plate full you're gonna be grateful and i can't emphasize too much you got to keep to cliches although you might get bored when we take you down and put you in storage and when we lock the door we'll give you all that you want so you won't have to ask for more he's running faster because he's got the keys to disaster never gonna stop the bastard
5.
in an Italian green marble lobby under blinking elevator lights eyes go itchy and your palms start sobbing as you climb to the highest heights and when you get to the top of the heap that's when you know you're in deep and when you're asking is this all that's when the axe will fall back in an office looking just like a closet all tied up in your pinstripe fatigues open your mouth then you think fast and close it you think this world is just what you need but when you get to the top of the heap that's when you know you're in deep and when you're asking is this all that's when the axe fall fall ha-ha hard, whoah, woe fall ha-ha hard, whoah, woe

about

Recorded November 1997 with Neal Ostrovsky at B-Side Audio, Chicago, under the moniker the Eric Chial 2; originally released on cassette.

Jason Styx: snare, hi-hat, floor tom, percussion;
E. Chial: writer, guitars, bass, organ, vocals;
Christopher C. Grady: double bass on Green Lobby No. 2 and Younger Than You;
Rob Mazurek: cornet;
Mark Greenberg: vibraphone;
Ken Champion: pedal steel guitar;

Neal Ostrovsky: engineer, co-producer/E. Chial.
Mixed by Neal and Eric.
Mastered by Blaise Barton at Diamond City, Chicago.

credits

released November 5, 1997

Recorded November 1997 with Neal Ostrovsky at B-Side Audio, Chicago, under the moniker the Eric Chial 2; originally released on cassette.

Jason Styx: snare, hi-hat, floor tom, percussion;
E. Chial: writer, guitars, bass, organ, vocals;
Christopher C. Grady: double bass on Green Lobby No. 2 and Younger Than You;
Rob Mazurek: cornet;
Mark Greenberg: vibraphone;
Ken Champion: pedal steel guitar;

Neal Ostrovsky: engineer, co-producer/E. Chial.
Mixed by Neal and Eric.
Mastered by Blaise Barton at Diamond City, Chicago.

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Eric Chial Chicago, Illinois

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